Jujus are a fetish piece of art for most interior designers around the globe and one of the best kept secrets and they are used as a visual attraction. Due to this fact, jujus have achieved great popularity.
Designs with juju hats provide texture to walls with an exceptional touch of glamour due to the natural feathers of birds.
Depending on the season, you can combine jujus in different areas of your house. If you wish to use them for a wall composition, you can use vivid and bright colours in summer. In winder choose neutral tones and jujus with natural feathers at any time.
You can also try with a sequence of progressive colours and include bicolour or multicoloured jujus.
The main colour of juju has to match with the colour of some decorative element found in the area. On the walls painted with dark colours you can use light and white jujus.
You can decorate the living room, entrance hall, dining rooms, bedrooms, kitchen or bathroom. They can also be placed outdoors (if you avoid exposure to high temperatures).
The Berber Museum is located in the former painting studio of Jaques Majorelle, and presents a panorama of the extraordinary creativity of the oldest people in North Africa. A collection of over 600 objects (jewellery, arms, leatherwork, basketry, textiles, and carpets) was sourced throughout Morocco –from the Rif Mountains to the Sahara Desert- and attests to the richness and diversity of an ongoing, vibrant culture.
The museum was designed around its collection: sound, music photography and film transport the visitor, opening a door onto the Berber culture of Morocco
Stella Jean is an emerging Italian fashion designer, whose cultural identity often provides inspiration for her eponymous label. She collaborates with African artisans, based on the principle of increase in value, economic impact and respect for the territory, resources and traditions of the local communities who must be supported, while at the same time preserving ancestral knowledge – at risk of extinction – and opposing the debasing effect of imperialist homogenization
Her testament is how fashion, beyond aesthetics, can evolve into an instrument of counter-colonisation and become a vehicle for, and expression of, economic, social and ethical growth and enfranchisement.
The principles of an intentional, but never ostentatious, elegance are developed and expressed through sharp Italian artisanal tailoring. A mood whose uniqueness is revealed as a reflection of the designer’s personal multiculturalism, translated into the “Wax & Stripes Philosophy”, her veritable signature style.
Set up in Amsterdam, in 1983, at the instigation of its current President, Michel Leveau, the Olfert Dapper Foundation takes its name from a xviith-century Dutch humanist who, despite never leaving his native country, wrote an encyclopedic description of Africa, first published in 1668.
The purpose of this private non-profit organization is to raise the profile of sub-Saharan Africa’s artistic heritage and contribute to its conservation, by staging exhibitions and awarding research bursaries.
Director Christiane Falgayrettes-Leveau was on the Musée du quai Branly steering committee from 1999 to the end of 2004 and is a member of the Committee for the Memory of Slavery (CPME), set up on January 5th 2004.
Now in its tenth edition, The Recontres de Bamako biennal was founded to promote African photographic creation. Based in particular in the tradition of portrait photography that developed in Mali in the 1960s. The event provides an excellent springboard for emerging talents, perfectly in step with the international scene.
(1886-1962) Were a French orientalist painter and son of the famous Art Nouveau furniture designer, Louis Majorelle. He arrived in Morocco in 1917, invited by the French Resident-General, Marshal Lyautey. Majorelle was seduced by Marrakesch. In 1923, he decided to live there, purchasing a vast palm grove that would become the Majorelle Garden we know today.
In 1980, Pierre Berge and Yves Saint Laurent acquired the Jardin Majorlele, saving it from real estate developers. Since the, the garden has been restored, and many new plants have been added
The Sulimaniye is a grand mosque, which was built on the order of sultan Suleyman I (the magnificent) and was constructed by the great Ottoman architect Mimar Sinan. The construction work began in 1550 and the mosque was finished in 1557. It is considered to be a kind of architectural answer to the byzantine Hagia Sophia. That is more symmetrical, rationalized and light-filled interpretation of earlier Ottoman examples.
Suzani is a good example of the Silk Road over centuries. The oldest suzani record was provided by the Castilian ambassador in Tamerlane (15th Century). It is a type of embroidered and decorative tribal textile made in Central Asian countries (Uzbekistan, Turkmenistan, Kazakhstan…). The households in those regions have suzani pieces across rooms and turn them baroque.
There are several types of Suzani (Bukhara, Lakai, Samarkand…). They are normally made by stripes which are sewn forming a single Suzani piece of art. These stripes are shared among women of every family who are the ones in charge of knitting. This is part of bride’s dowry.
Suzanis usually have a cotton fabric base when embroidered in silk thread and a silken fabric base when embroidered in cotton thread. The most common motifs are part of Zoroastrianism iconography and include sun and moon disks, pomegranates and tulips.
Is a cultural and arts centre that challenges stereotypical views about islamic art, history, culture and beliefs. Also supportered by Republic of Turkey the museum catches the eye with its modern architecture.
Thanks to the app developed for the Islamic Museum of Australia, you can access comprehensive and up-to-date information about the galleries and exhibition in the museum.